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Thomas HardyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“Ah, Are You Digging on My Grave?” is a lyrical ballad that follows the rhyme scheme A-B-C-C-C-B. The strict rhyme scheme creates a sense of predictable rhythm for the poem that mirrors the repetition (and gradual predictability) of the poem’s theme: The speaker discovers that each of her former ties is forgetting about her and that no one wishes to visit her grave. More importantly, the delayed rhyme between the second and sixth lines in every stanza (the “B” line rhymes) complements the twist featured in each stanza’s closing lines with their stinging revelations. The accompanying delayed “B” rhyme has the effect of a punch line. The poem’s form and meter thus create a build-up of tension in each stanza that culminates in a sense of mocking finality.
Commoratio is a rhetorical device in which the same idea is repeated using slightly different wording each time. In this poem, the opening lines of each stanza feature different wording about someone digging on the speaker’s grave: “Ah, are you digging on my grave” (Line 1); “Then who is digging on my grave” (Line 7); “But someone digs upon my grave?” (Line 13); “Then who is digging on my grave?” (Line 19); “Ah yes! You dig upon my grave...” (Line 25); and “Mistress, I dug upon your grave” (Line 31). This use of commoratio draws the reader’s attention repeatedly to the gravesite as the poem’s setting, while also setting up the soon-predictable dialogic structure between the speaker and her dog, in which the disintegration of her former relationships is revealed over and over again.
The poem is suffused with a sense of dark irony that builds up stanza by stanza. The speaker hopefully names a potential visitor, believing herself to still be loved (or at least remembered) by those who once played an important role in her life. In response to each of her guesses, the dog reveals the extent of the speaker’s utter neglect by all her former ties, offering an ironic contrast between what the speaker imagines the state of her former relationships to be and the cruel reality.
The poem is structured as a dialogue between the deceased speaker and her dog. This dialogue, in which the speaker questions who her visitor could be and the dog responds by revealing how the people in her life have moved on, creates dramatic tension and lends dynamism to the poem. The use of dialogue allows the speaker to gradually learn the truth, giving the poem momentum from stanza to stanza. On a more symbolic level, the dialogue is between the living and the dead more generally—between those who are still busy with their daily affairs, and those who have been left behind and are gradually becoming forgotten.
By Thomas Hardy
At an Inn
At an Inn
Thomas Hardy
Channel Firing
Channel Firing
Thomas Hardy
Far From The Madding Crowd
Far From The Madding Crowd
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Jude the Obscure
Jude the Obscure
Thomas Hardy
Neutral Tones
Neutral Tones
Thomas Hardy
Tess of the D'Urbervilles
Tess of the D'Urbervilles
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The Convergence of the Twain
The Convergence of the Twain: Lines on the loss of the "Titanic"
Thomas Hardy
The Darkling Thrush
The Darkling Thrush
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The Man He Killed
The Man He Killed
Thomas Hardy
The Mayor of Casterbridge
The Mayor of Casterbridge
Thomas Hardy
The Return of the Native
The Return of the Native
Thomas Hardy
The Withered Arm and Other Stories
The Withered Arm and Other Stories
Thomas Hardy
The Woodlanders
The Woodlanders
Thomas Hardy
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