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Zora Neale HurstonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother's side was not an Indian chief.”
The opening line of Hurston’s essay is a joke. It sets the light-hearted tone of the essay and shows her irreverence when it comes to commonly-accepted ideas about African-American identity. In addition, the quote shows how much she values African-American culture.
“The front porch might seem a daring place for the rest of the town, but it was a gallery seat for me. My favorite place was atop the gate-post. Proscenium box for a born first-nighter.”
By contrasting her daring with the reticence of the other townspeople of Eatonville, Hurston characterizes herself as a person who early on exhibited intellectual curiosity. This quote is also an example of the many metaphors Hurston uses throughout the essay.
“During this period, white people differed from colored to me only in that they rode through town and never lived there. They liked to hear me speak pieces and sing and wanted to see me dance the parse-me-la, and gave me generously of their small silver for doing these things, which seemed strange to me for I wanted to do them so much that I needed bribing to stop, only they didn't know […] The colored people gave no dimes. They deplored any joyful tendencies in me, but I was their Zora nevertheless. I belonged to them, to the nearby hotels, to the count—everybody’s Zora.”
Hurston again demonstrates her lack of childhood awareness of any intrinsic differences between blacks and whites. In addition, this passage makes it clear that the caring attitude of the adults around her during her childhood gave her a sense of confidence and self-worth.
By Zora Neale Hurston
Barracoon: The Story of the Last "Black Cargo"
Barracoon: The Story of the Last "Black Cargo"
Zora Neale Hurston
Drenched in Light
Drenched in Light
Zora Neale Hurston
Dust Tracks on a Road
Dust Tracks on a Road
Zora Neale Hurston
Hitting a Straight Lick with a Crooked Stick
Hitting a Straight Lick with a Crooked Stick
Zora Neale Hurston
Jonah's Gourd Vine
Jonah's Gourd Vine
Zora Neale Hurston
Moses, Man of the Mountain
Moses, Man of the Mountain
Zora Neale Hurston
Mule Bone: A Comedy of Negro Life
Mule Bone: A Comedy of Negro Life
Langston Hughes, Zora Neale Hurston
Mules and Men
Mules and Men
Zora Neale Hurston
Seraph on the Suwanee
Seraph on the Suwanee
Zora Neale Hurston
Spunk
Spunk
Zora Neale Hurston
Sweat
Sweat
Zora Neale Hurston
Tell My Horse
Tell My Horse: Voodoo and Life in Haiti and Jamaica
Zora Neale Hurston
The Eatonville Anthology
The Eatonville Anthology
Zora Neale Hurston
The Gilded Six-Bits
The Gilded Six-Bits
Zora Neale Hurston
Their Eyes Were Watching God
Their Eyes Were Watching God
Zora Neale Hurston