61 pages • 2 hours read
Italo CalvinoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
From the novel’s opening sentence, the narrator of If on a winter’s night a traveler explicitly draws the audience’s attention to the act of reading. The novel exemplifies metafiction, in which a novel’s narration is self-aware. The narrator knows he’s directly addressing the novel’s audience, and the story starts and ends with a declaration of the audience starting and ending the novel. Unusually for fiction, the narrator makes the audience aware of their role in the novel by using a second-person singular pronoun. The Reader is the novel’s protagonist; the Reader is the audience, addressed as “you” throughout the text. Even in this sense, however, the novel creates an abstract blur between metafiction and traditional fiction. The narrator may be addressing you, the audience, but eventually develops the character of the Reader in the broadest sense, describing the Reader as a single male who enjoys reading. The Reader becomes obsessive over the incomplete stories and falls in love with Ludmilla, also known as the Other Reader. The act of reading becomes a bilateral direction of travel: As the audience reads the novel, the novel reads the audience, transforming the Reader from a generic pronoun into an imagined member of Calvino’s book-buying demographic.
By Italo Calvino
Cosmicomics
Cosmicomics
Italo Calvino
Invisible Cities
Invisible Cities
Italo Calvino
Six Memos for the Next Millennium
Six Memos for the Next Millennium
Italo Calvino
The Baron in the Trees
The Baron in the Trees
Italo Calvino
The Cloven Viscount
The Cloven Viscount
Italo Calvino
The Nonexistent Knight
The Nonexistent Knight
Italo Calvino
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